I am an undergraduate student focusing on Environmental Management. I am a poet, a content creator and a creative writer. I write about faith, life, family and nature."

Now, what about the poetry of the first voice—that which is not primarily an attempt to communicate with anyone at all?

Caleb originally wrote this to inspire poems for YM: Rumours. Now we’re re-posting his fantastic workshop as a challenge – see below for submission guidelines! Edgar Allan Poe’s short story The Tell-Tale Heart is an example of first‑person unreliable narrative voice, which is significantly unknowledgeable, biased, childish, and ignorant, which purposefully tries to deceive the readers. As the story proceeds, readers notice the voice is unusual, characterized by starts and stops. The character directly talks to the readers, showing a highly exaggerated and wrought style. It is obvious that the effectiveness of this story relies on its style, voice, and structure, which reveal the diseased state of mind of the narrator. Example #4: Frankenstein (By Mary Shelley) an audience, he will also want to know what the poem which has 'Isatisfied him will have to say to other people. There are, first of all, ~ I What I am writing about here might sometimes be called tone. But I want to call it voice, because I think it is what really matters in understanding what is said, particularly in a poem. Voice, tone – it is received as sound.

My ideal audience member is someone who insists that they’re not “really into”, or do not “really get”, contemporary poetry. In the words of Harvey Milk, I want to recruit that person. Because if that person is introduced to good contemporary poetry, he or she will become an emissary for same.to the extent to which what I wrote on this subject in 1925 isIodated'. Richards's Principles of Literary Criticism was published